if the shiftKey is down and the optionKey is down then
put the short name of this card into whence
visual effect iris close
go to card "Stanze Map"
else
if the optionKey is down then
push card
visual effect iris close
go to card "Schematic"
end if
end if
end mouseUp
-- part 1 (button)
-- low flags: 00
-- high flags: 0000
-- rect: left=118 top=0 right=28 bottom=390
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 1
-- font id: 0
-- text size: 12
-- style flags: 0
-- line height: 16
-- part name:
-- part 2 (button)
-- low flags: 00
-- high flags: 0000
-- rect: left=265 top=6 right=41 bottom=300
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 1
-- font id: 0
-- text size: 12
-- style flags: 0
-- line height: 16
-- part name:
----- HyperTalk script -----
on mouseUp
visual effect wipe left
go to card "Poetry"
end mouseUp
-- part 5 (button)
-- low flags: 00
-- high flags: 0000
-- rect: left=217 top=6 right=40 bottom=257
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 1
-- font id: 0
-- text size: 12
-- style flags: 0
-- line height: 16
-- part name:
----- HyperTalk script -----
on mouseUp
visual effect wipe right
go to card "Theology"
end mouseUp
-- part 7 (field)
-- low flags: 01
-- high flags: 0002
-- rect: left=177 top=280 right=300 bottom=333
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 1
-- font id: 2
-- text size: 12
-- style flags: 256
-- line height: 17
-- part name:
----- HyperTalk script -----
on mouseUp
show card field "Picture Info"
show card button "Pic Info Away"
end mouseUp
-- part 8 (field)
-- low flags: 00
-- high flags: 0004
-- rect: left=333 top=0 right=340 bottom=510
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 0
-- font id: 3
-- text size: 9
-- style flags: 0
-- line height: 12
-- part name: Card Help
-- part 9 (field)
-- low flags: 00
-- high flags: 0000
-- rect: left=331 top=0 right=13 bottom=454
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 0
-- font id: 3
-- text size: 9
-- style flags: 256
-- line height: 12
-- part name: Card Title
-- part 10 (button)
-- low flags: 00
-- high flags: 0000
-- rect: left=333 top=0 right=337 bottom=508
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 1
-- font id: 0
-- text size: 12
-- style flags: 0
-- line height: 16
-- part name: Help Away
----- HyperTalk script -----
on mouseUp
set lockScreen to true
hide card field "Card Help"
hide card field "Card Title"
hide card button "Help Away"
set lockScreen to false
end mouseUp
-- part 11 (field)
-- low flags: 00
-- high flags: 0002
-- rect: left=22 top=51 right=272 bottom=168
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 0
-- font id: 3
-- text size: 9
-- style flags: 0
-- line height: 12
-- part name: Picture Info
-- part 12 (button)
-- low flags: 00
-- high flags: 0000
-- rect: left=22 top=51 right=271 bottom=168
-- title width / last selected line: 0
-- icon id / first selected line: 0 / 0
-- text alignment: 1
-- font id: 0
-- text size: 12
-- style flags: 0
-- line height: 16
-- part name: Pic Info Away
----- HyperTalk script -----
on mouseUp
hide card field "Picture Info"
hide card button "Pic Info Away"
end mouseUp
-- part contents for card part 7
----- text -----
Apollo and Marsyas
-- part contents for card part 8
----- text -----
Between each pair of circular
“tondi,” Raphael painted a rectangular scene emboding issues relevant to each of the tondi which flank it.
Like the tondi, the backgrounds of the rectangular scenes are painted to imitate mosaics, and thus to stress the artfulness of the disciplines involved.
Two of the rectangular scenes portray successful combinations of the disciplines; two portray failures or sins. Each discipline thus shares one success and one failure, which seems just. But why Raphael chose the failures and successes he did, and why he chose the places for success or failure as he did, remain obscure.
Click on the title for further information about this scene.
Click on the arrows to consult its related tondi.
Clicking with the option key down will return you to the map of this room.
-- part contents for card part 9
----- text -----
Apollo and Marsyas
-- part contents for card part 11
----- text -----
Marsyas, a satyr, had bragged that he was a better musician that Apollo. He wagered that he could win a competition with Apollo; if he lost, he would be skinned alive.
Raphael represents this as a sin in relation to poetry and theology, for the source of Marsyas’ sin was his art.
We see Apollo being crowned and Marsyas strung up ready to be skinned. Marsyas’ pose is a copy of a Hellenistic sculpture which exists in marble copies in Florence and Rome, and which was evidently known to Raphael.